I’m almost 20k into this challenge and feeling quite good about my progress. When I commit to writing, I can write fast. Very fast. Doesn’t mean it’s good, but I can crank out 30-50k a month, but I write SEMI-BLIND. I don’t mean literally, but while I consider myself more of a plotter than a pantser because the first thing I have before I start writing is the climatic scene. I have something to write. That means, I generally have a good idea of my character’s goals, but not always their motivation. That usually comes as I read.
That said, when I was writing Murder in Paradise Bay, I write to a climactic scene that when I got there I said, “huh, that doesn’t work”. It didn’t work because my bad guy wasn’t the bad guy, it was someone else, which threw me. But once I figured that out (and accepted it) it didn’t take me but a few days to fix the rest of the manuscript because all along my subconscious mind was dropping little seedlings through the manuscript.
I’m currently working on the 6th book of the New York State Trooper Series, tentatively titled: DEADLY SEDUCTION and I have no clear picture of the climatic scene, so that makes me a little nervous. Then again, there is no real mystery in this book, like there was in MURDER IN PARADISE BAY or some of my other work, where the killer should come as a bit of a surprise at the end. The bad guy DEADLY SEDUCTION is clearly defined in the beginning of the book because he’s seeking revenge on my hero. I have my short one sentence summary of the book: What if the woman you’re currently sleeping with was sent by the man who vowed revenge to ruin your career.
I know my heroine is being forced to do things in order to save her brother…or so she thinks. I have a step-outline that takes me through just past the middle of the book. I even have the epilogue perfectly visualized in my head…but not that damn climatic scene.
But I will keep plugging away because I know that scene will reveal itself as I keep pushing forward. So, onward I go…
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